Just what DO they wear...?
Ghosts of Shakers Past
Trouble at Shakertown
Cold Feet
The Twister
May 2,1996
I think it was the third year I was there, all of us got very brave about 2:00 in the morning,
and decided to go into the Center House and visit the local ghost. Supposedly this was
the ghost of a Shaker woman who longed to have children of her own (sex was a serious
no-no among the Shakers), and dreamed of having a husband and family. The tale goes
that she felt so guilty about this perceived sin, that when she died, her ghost stayed behind
in the Center House in the rooms that served as the nursery. Just imagine 12 - 15 drunk,
slightly stoned, completely exhausted pageant players standing in a huddle outside a vacant 3
story museum at 2:00 in the morning in the pitch black (no street lights out there!),
peering up at the third floor windows. What a sight we must have been! Then, one of the
younger girls screamed, and pointed to the window of the nursery. There, in the dark, we
could see - all of us - a pale figure in the window. A figure wearing what appeared to be
Shaker dress. The more flighty of the group became bats out of hell, and flew down to the
river, where they felt to be at a safe distance. The more stupid of the group (this includes
yours truly) determined that if the ghost was there, then she knew we were there, too, and
must want to see us. So, off we tramped to the third floor of the Center House. The
museum curator was also in the show, and had the keys, so he let us in. The building was
like a cavern. The only light was the dim starlight from the windows, barely enough to see
by, and quiet like the grave. Or so we thought. We were climbing the servant's steps up
the side of the building, and when we got to the third floor we all stopped, listening. What
we heard nearly scared us to death. The floors were creaking down the hall, and two
doors opened and closed - by themselves! At this point more of the group abandoned the
search. The rest, holding hands, proceeded down the hallway, checking each room as we
passed. None of us saw anything. That is, until we came to the nursery, where all of us
saw that the rocker....was rocking, rocking, rocking....
It is a wonder none of us were killed in our terrified flight down three flights of painted
concrete stairs, but we all arrived at the bottom unharmed. From that day on, for the rest
of the season, all of us who had been brave (read stupid) enough to go to the third floor
that night spoke to the ghost every time we entered the floor.
To this day I wonder what happened that night. I know for a fact that no corporeal
human was in that building, because I was one of two people that walked thru at lock up
time, the other being the curator. No one had keys to the building but him, and he was
with us the whole time. This had been no planned excursion that someone decided to play
a trick on. It was strictly spur of the moment. That summer, many of us who were
"immortal" college kids, started to think that maybe, just maybe we should at least think
about the future - maybe, just maybe we weren't as smart as we thought we were!
May 02 1995
Shakertown wasn't always wonderful. Whenever you get more than two people together
for long periods of time, they're gonna get on each others nerves. Well, one year, the
director, just call him "Sir", was doing a superb job of getting on everyone's nerves. We
had just one week until opening night, and he decided that he was going to re-block the
entire 'picnic scene' - a 15 minute scene involving much singing and (hopefully)
coordinated movement. "You want to do WHAT?!" Was the general response. It had
taken us every minute of available rehearsal time for 5 weeks to get that scene together,
and now we were supposed to start over and get it right in ONE WEEK? This predictably
led to much squabbling and whining, and the ever present threat of "I'll just quit - I'm not
getting paid enough for this kind of ....", well, you can imagine. I was not immune to this
angry streak developing in the cast, after all, I had a 4 minute solo piece which was going
to have to be rearranged, and rechoreographed, and all - as far as we could see - for
nothing. All Sir would say was, "It's just not right!"
After the (extra long) rehearsal that night, I was as hot as a firecracker. Mad as hell. My
friend Jon was riding with me that night, and we were all too pissed off to even bother
speaking on the way out. We got in my little red '72 Fiat, and I screamed out of the
parking lot, too mad to pay much attention to anything more than the road directly ahead
of me. I approached the 90 degree curve which skirted the railroad embankment at a
decent 45 m.p.h. Too fast for that curve, but I'd done it before - no problem. As I began
the turn, I felt that the car was not responding properly, and before I could react in any
way, I felt the wheel jerk, out of control, in my hands. I yelled, "My God, Jon, we're
gonna wreck!", and closed my eyes so as not to see the spectre of death coming upon me.
I felt the car sliding off to the right, and Jon (on my right) slid away from me, and I heard
a sickening THUMP as his body hit the passenger door. I lifted my legs, visions of crushed
limbs in my head, turning the wheel to the left in a futile attempt to correct the skid, and
slid to the right against Jon, still clutching the steering wheel. Then the world reversed
itself. We were upside down, but only for a moment, and with a muffled crunch, crunch,
bump, we stopped, right side up. I paused, and took a breath. Then I opened my eyes.
Smoke was pouring out from under the hood, and some kind of fluid was dripping down
the fenders. Panic! I looked for Jon, and saw him, dazed, but alive, staring at the smoke.
"Jon, get the fuck out! It's gonna burn!" I grabbed my door handle to get out, and
discovered that my door would not open. The car was mashed up against the 20 foot high
embankment, with the road 20 feet above me! By this time Jon had gotten his door open
and was out, so I climbed out over the seats into the 4 foot tall grass. There to meet me
were most of the cast members! I had been one of the first ones out, being parked in the
front of the lot, and they had all seen the accident. One had gone back to call 911. They
helped Jon and me up the steep slope, and we surveyed the situation. We determined that
the smoke was actually steam, and the fluid was radiator fluid so there was no immediate
danger of fire. I was very shaken up (understandably, I think), and went to crying on a
friend's shoulder. By the time the police got there, all of us had made up and were friends
again. Even the director, who decided that maybe now was not the time to change the
show!
Epilogue: The police determined after the tow truck lifted my poor car out of the gully,
that the accident was a "no fault" accident. My right front tire had blown out because of a
small piece of sharp metal which had punctured it. The officer also noted that had the car
gone off the road where it 'should' have, right into the concrete underpass, we would have
been killed. He said that either the driver was "A damn good driver, or damn lucky!" I
would like to think the first, but am more inclined to believe the second...
May 09, 1995
January 01, 1996
Take it slow we did, but at least it was practice. As we practiced the steps, we noticed that it was getting kind of dark in the tent. No one really thought anything about it - rehearsals started at 6, and it usually got dark about 9. The tech guy brought up the lights so we could continue rehearsal. Someone glanced at their watch, and announced that it was only 8:00, and why was it so dark? All the flaps of the tent were up and tied out of the way, so we moved over to the open sides of the tent and scanned the skies. We had been so intent upon our dance steps that we had failed to notice the ominous rolling clouds which had moved in to cover the sun. At just that moment, it started to rain. Huge, fat drops of rain splatting on everything. We all moved back into the tent. No big deal, we rehearsed in the rain several days every year. Hard not to, since May/June is the "rainy season" in Kentucky. We buried ourselves in the dance again. Then we all noticed that it had gotten considerably cooler, and much breezier in the tent. We looked around and up to see the roof of the tent billow upwards - not a sight one is used to seeing in a tent that size. Then the poles started levitating, and the tent got a mind of it's own. The entire tent was dancing. Each perimeter support pole began tapping to its own drummer. The center support pole was also jumping up and down. No small feat for a pole eight inches in diameter, and about thirty feet tall. We didn't know what to do. Most ran for the Centre House basement. A few tried to save some things. My friend Jon tried to get past one of the dancing poles to get his things out of the dressing room. He was rewarded for his effort when the rope holding the pole to the stake broke, and lashed around him like a whip, tearing his shirt and leaving him with an inch wide rope burn all the way around his body. The half finished set began to topple, sending more folks out to the Centre House. I was helping the tech guy try to salvage the lights. Lights are very expensive, and we were borrowing them from the University. I was at the control board, unplugging stuff like crazy when I heard a strange popping noise. I looked up just in time to shout a warning to the tech guy, who moved just enough to avoid being hit by a one and a half meter metal pipe with four 6"x9" lekos on board. That's a heavy pipe! The lenses in the lamps exploded when they hit the asphalt, and sent shards of glass over the entire dance floor. We reached a rapid and silent understanding that the last one out of the tent was a gibbering moron, and high-tailed it for the Centre House. As we reached the top of the little hill above the stage area, he grabbed my arm and turned me around. There, coming in our direction, was the tent. The whole thing. It was completely intact, and even the roof was still peaked. As we watched, it folded up on itself, tossing long wooden poles in every direction. I have to admit that I nearly wet myself. No joke. I ran like I have never run before or since. The tech guy stood another minute or two, watching the twister coming over us. I never saw it. Before it got to us I was deep in the blessed cool of the basement, back against the wall, panting like crazy. After a half hour or so, we dared to venture back outside. Everything was drenched, but the birds were singing, and the sun was peeking up over the horizon, saying good night to us. Kind of thumbing his imaginary nose at us. We finally found the tent over in the cornfield, completely destroyed. Those tents are sewn in strips - this one was white-yellow-white-yellow and so on. Was. When we found it, it was more a yellow and white patchwork. At the stage area, we found that the wind had pulled several of the metal stakes out of the asphalt, leaving gaping holes filled with water. The tree under which all this occurred (a grand old tree who's species I know not) had lost a few branches and a bunch of leaves. No other damage was ever found.
Apparently, tornados hate mobile homes and tents...
May, 1996